Bruce Nauman and Dan Graham’s Politics of Presencing: boredom exposing inauthenticity of 1960s-70s time-consciousness

This essay studies examples of early video art from a new historical perspective focusing on the co-evolution of live media and present-time consciousness from 1960s onwards. Pioneers’ videotapes and installations appear as the first segments of a non-linear sequence of electronic art practices coping with the postmodern crisis of temporality.

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