Chapel perilous
The term chapel perilous first appeared in Sir Thomas Malory's Le Morte d'Arthur (1485)[1] as the setting for an adventure in which sorceress Hellawes unsuccessfully attempts to seduce Sir Lancelot. T. S. Eliot used it symbolically in The Waste Land (1922).
"Chapel perilous" is also a term referring to a psychological state in which an individual is uncertain whether some course of events was affected by a supernatural force, or was a product of their own imagination. It was used by writer and philosopher Robert Anton Wilson in his 1977 book Cosmic Trigger. According to Wilson, being in this state leads the subject to become either paranoid or an agnostic.[5] In his opinion there is no third way.
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