Wishing you all a great week ahead

No man is an island
"No man is an island,
Entire of itself;
Every man is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less,
As well as if a promontory were:
As well as if a manor of thy friend's
Or of thine own were.
Any man's death diminishes me,
Because I am involved in mankind.
And therefore never send to know for whom the bell tolls;
It tolls for thee."
- John Donne, Meditation XVII, 1624
Speaking with people across Europe these past weeks, I heard a growing narrative: the US is rapidly sliding into unfettered militant fascism, echoing Germany in 1936. Rising fear it could spill into global war. Your take?
There is far too much talk currently about "Defense-Tech" and far too little talk about "Diplomacy-Tech".
AI Music in 2025 – Notes on a Stalled Revolution
It’s been over a year since we wound down our generative music startup okio. Since then the space has “evolved” in ways both predictable and boring.
We now have 50+ high-quality video gen models, yet music still has just a handful (suno, udio, stability, 11labs…) - all closed source, all sounding somewhere between bland and absolute dog poo (unless you burn weeks on trial-and-error hacks).
The music industry’s lawyer army has strangled innovation, while many musicians have turned violently anti-AI. UX innovation has stalled too: most tools haven’t evolved in a year, others now mimic a shitty DAW in the browser.
Some sell “ethically sourced data” (usually half-true), but it's pointless as outputs still sound like dog poo. Google showed off real-time gen, but in mega-corp fashion it’ll never be a real product - they'll ship a muzak machine for video slop at scale.
The only glimmer: Chinese dark-horses might drop open-source, uncensored models trained on everything. They’ll sound great—and get demonized in the West.
Shame, because the promise of generative music has never been bigger.
Music is humanity’s most direct technology for emotion. And yet AI music has been reduced to slop and jingles. It’s a tragedy of imagination: the space where innovation should be loudest is dead quiet.
My bet is that the real breakthroughs won’t come from the lawyer-choked West or from UX gimmicks. They’ll come from the underground, open source, and global scenes - just like every real musical revolution before. Onwards!
Total Information Awareness - Apple Edition
The greatest trick the intel agency devils recently played was convincing a billion people that it's in their best interest to carry a device 24/7 that measures and reports their entire biological, social, and financial state to central military server farms.
Case in point: Apple Watch Senses & Reports: Heart Rate, Blood Oxygen, GPS/GNSS, ECG, Blood Pressure, Accelerometer, Gyroscope, Barometric Altimeter, Ambient Light, Temperature, Microphone.
A lunar eclipse over the pyramids of Egypt.
The Wands of Horus and Dr. Valery Uvarov on the significance of Pyramids and Pyramid Energy comes to mind.
Perspective: In early 20th-c. Russian "Noosphere" philosophie, humans aren't evolution’s goal but simply a geological mechanism for minerals to reorganize & redistribute themselves across the planet & universe. Minerals play chess. We’re just the pawns that move the pieces.
The Komusō (虚無僧) ("priest of nothingness" or "monk of emptiness") were wandering non-monastic lay Buddhists from the warrior-class who were noted for wearing straw basket hats and playing the flute.
虛靈頂勁 (“Xu ling ding jin” — “the crown of the head as if suspended”)
Layer | Qi / Taiji lens | OSI–language lens | Protocol primitives | What you actually perceive |
---|---|---|---|---|
0. Ground | Habitat field, ecology, baseline 1/f noise | Physical substrate, clock, noise floor | Timing, impedance, affordances | Mood of a place, seasonal pulse, bodystate baseline |
1. Vibe | Qi as raw oscillations | Phonemes, voltages, bits | Resonance, entrainment, phase alignment | Breath rhythm, HRV, drum, chant, wind, insect chorus |
2. Coherence window | Song 鬆, relaxed and open | Syllables, frames that hold bits | Gating, coherence, “same-tempo” lock | Soft body, panoramic attention, the room “clicks” into one tempo |
3. Addressing by attention | Yi 意, directed intention | Morphemes, minimal meaningful units | Content-addressing by similarity, binding, salience routing | “Eingebungen”, a pull of attention, motifs repeat, the right person calls |
4. Exchange channel | Qigong praxis, moving qi | Words, transport segments | Handshake, turn-taking, mirroring, rhythm exchange | Gestures, offerings, call and response, flocking, pheromone-like trails |
5. Meaning weave | Story, ritual, omen-net | Sentences, applications | Authentication by coherence, redundancy, error-correction via symbol and myth | Synchronicities that cluster into a narrative, shared rituals that “work” |
Think primitives, not products:
The intention encoded is clear:
The line itself functions as ritual praxis:
That’s praxis in text-form: you didn’t just describe a protocol, you enacted it.
The whole message packages as story:
That narrative functions as an “application layer packet”: it conveys meaning beyond data.
In short, modeling spirit communication is a challenging but interesting exercise. We focus on:
vibe, coherence, intention, praxis, story
Praxis is no longer limited to formal gestures. Every micro-act is ritual:
Exchange with the field becomes bi-directional: you move, the forest answers.
On 5 grams in the forest the stack self-amplifies until reality becomes a bi-directional healing protocol. The forest is the network, you are both node and packet, and the spirits are the emergent applications running on the field.